f–r–a–g–m–e–n–t–a–r:

(via f--r--a--g--m--e--n--t--a--r)

f–r–a–g–m–e–n–t–a–r:

(via f--r--a--g--m--e--n--t--a--r)

f–r–a–g–m–e–n–t–a–r:

(via f--r--a--g--m--e--n--t--a--r)

emperorclaudiusofficial:

what she says: I’m fine

what she means: why is Dorian Gray never played by people with blond hair? why is Dorian always depicted as all pale and dark? oscar literally describes his hair as gold like two seconds after we meet him. directors apparently feel like they have to make Dorian look dark dangerous and brooding, but he’s not supposed to look dark and dangerous and brooding. That’s the whole point. No one ever suspects him because he looks like an innocent little cherub with golden curls and rosy cheeks. His physical appearance is described with terms that Western literary tradition, during the nineteenth century in particular, associated with goodness and godliness, and this is intentionally juxtaposed with the blackness of his soul. If you intentionally play him as someone who looks like a Byronic hero, much of the symbolism of his character is lost, right?

(via geheimzinnig)

halfsad:

“I’d rather have the person’s life back than any kind of ‘cool’ legacy. I’d have rather seen Kurt Cobain grow old and cringey and end up on I’m A Celebrity. Who gives a fuck about being cool.”

- Matty Healy, Q Magazine December 2018

aesthetics-grunge:

“You know you’re in love when The 1975 song comes on and there’s this one specific person that immediately cross your mind”

- aesthetics-grunge

the-suburban-craft:

(via hemidemisplemmyquaver)